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I

2023

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Frame from performance documentation, "I"

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Frame from performance documentation, "Ben"

 

Audiovisual installation

 

Repetition is a versatile tool. Kierkegaard argues that “repetition and recollection are the same movement, just in opposite directions”. Semantic satiation is a phenomenon in which a word loses meaning as a consequence of repetition. The “actuality and earnestness of existence” that is repetition pervaded within this phenomenon creates different outcomes when applied to language(s) one speaks and does not.

 

The work executed correlatively utilize repetition of the word -I- as a unit in different languages. The output through pursuing semantic satiation is deconstructed images from the act of repeating placed on two sides of a passage accompanied by a sound of this repetition (placed in the middle) only to be heard once crossing from one language to another, or perhaps from one direction to another. As meaning disappears so does function, and consequently the concept of “I”, the self, both the signifier and the signified in this case.

It might be noticed that just as there is a physicality to remembering, there is a physicality to forgetting. One remembers, one forgets remembering, one doesn’t remember, one (re)remembers. How does repetition mediate and intervene the severance, the dissonance by settling in the transitional space between languages, words and movements?

00:00 / 05:02

© 2026

Installation view, What Must Be, Is, Spazio SPUMA, Venice, Curated by Joseph Kosuth

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